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FTII struggles due to backlog of batches, student protests, limited infrastructurePremium Story
The Indian Express | 6 days ago | |
The Indian Express
6 days ago | |

At Pune’s prestigious Film and Television Institute of India (FTII), students from the 2020 batch went on a hunger strike on March 15. They were protesting against the institute’s directions to one of their batchmates: repeat the semester “on account of failure to meet attendance and credit completion requirements”.Twelve days later, on May 26, the hunger strike was called off after five students were hospitalised. However, 42 others continue to boycott classes in protest. The batchmate repeating the semester as a supernumerary student with the next batch, they said, would mean that he would not be allowed to participate in any major group assignments. Since each student in a group has a fixed role to play in the practical exercises, he will have nothing to show for when he graduates, they added. An Academic Council meeting on the students’ demand — to allow him to continue with the current batch — is scheduled for Tuesday.The protest is just the tip of the iceberg when it comes to issues plaguing FTII. In 2015, the students went on a 139-day strike against the appointment of TV actor Gajendra Chauhan as its chairperson. The protest attracted national attention, causing the government much embarrassment. At that time, there were five batches (2008 to 2013) of the film wing on campus instead of three. FTII had received flak then due to students overstaying on campus: some batches have taken as long as seven years to finish their three-year diploma. The administration had blamed the lockdown for the overcrowding.FTII Registrar Sayyid Rabeehashmi told The Indian Express, “The single reason for parallel batches on campus at present is the lockdown. FTII, along with Satyajit Ray Film and Television Institute, took the decision to have parallel batches on campus instead of announcing zero years in the larger interest of aspiring storytellers.”However, the students alleged that lack of resources — studios, equipment and teaching staff — were to blame for the presence of parallel batches on campus.Trouble with revised syllabusIn June 2016, FTII implemented its revised syllabus and introduced the choice-based credit system (CBCS) system. The institute had earlier revised the syllabus in 2000. However, the 2000 revision led to delays in completion of courses on time. Following demands to fix these delays, the syllabus was revised once again and the changes were implemented in 2016.The administration had claimed that the latest revised syllabus would help students finish their courses on time and prevent a backlog of parallel batches on campus, which was putting extra pressure on its resources. The CBCS, it felt, would provide students greater freedom of choice, while allowing the administration to stick to the stipulated course durations of three years (two years for screenplay and screen acting diplomas).Nearly six years later, the administration is still grappling with the same problem. There are four batches of film wings on campus. A fifth one, the 2017 batch, is technically yet to finish the course since the results have not been announced, apart from two TV course batches. The admission process for another batch, 2022, is almost complete. The film wing admits 11 students each in seven courses, namely direction and screenplay writing, cinematography, editing, sound recording and sound design, art direction and production design, screen acting, and screen writing. The television wing has four one-year courses, namely direction, electronic cinematography, video editing and sound recording, and television engineering, each admitting 11 students annually.However, students from the batches of 2016 and 2017 have alleged the syllabus revision plan was implemented in a hurry in 2016.“We felt the revised syllabus wasn’t well thought out. For the 2016 batch, the administration kept making changes to the syllabus on the go. Exercises were dropped arbitrarily…. They also dropped the faculty feedback exercise, as envisaged in the original syllabus, after getting spooked due to the poor ratings that some of them were getting. This had led to protests from 2016 and 2017 batches,” said a student from the latter batch.Following protests and adverse feedback from department heads, FTII formed a committee to review the syllabus in December 2019. The outcome of this committee remains unknown. However, the Registrar said the revised syllabus had been working well. “The 2016 batch completed the course on time, but the 2017 batch completed the course in March 2023 due to the lockdown,” he said.Many vacancies, few studiosFaculty vacancies are another big issue affecting FTII. In almost all seven departments of the film wing and four departments of the TV wing, 60 to 80 per cent permanent positions — including heads of four film wings — have been lying vacant.To make up for these shortages, the institute has been increasingly relying on contractual faculty. However, delays in dispersing of salaries — at times till the last week of the month — have caused unhappiness among the contractual staff, some of whom are hired for short durations like two-three months.A few months ago, FTII finally commenced the process to fill these vacancies: dean (television), five vacancies for professors (HoDs), eight associate professors, six assistant professors and 81 vacancies in Classes B and C posts.“The recruitment process is on currently,” said the Registrar.Students have also pointed to the lack of infrastructure at FTII. The institute has just two production studios. This means that only two projects can be done at a time though there are five batches on campus at present. Since 2010, the administration has been talking about constructing two new studios on its land, off Paud Road, but the plans are yet to materialise.A student from the 2017 batch, which finished its final exercise just recently and is waiting for the results, said the lack of resources was primarily responsible for the delays affecting his and the subsequent batches.“Insufficient studios, lack of planning by the administration, understaffed departments and issues related to the syllabus have all caused this backlog. The administration may blame the lockdown but that isn’t the primary reason. The backlog will continue until these issues are resolved,” said the student.However, Rabeehashmi dismissed the allegation. “The statement that the lack of resources is a reason for the backlog is false and baseless. As such, the facilities at the institute are for three batches of film wing and one batch of TV wing. Therefore, the institute has already provisioned for addressing additional requirements to meet the academic exigencies,” the Registrar said, adding that the construction of the proposed studios will commence soon.Interim director, no chairpersonWhile protests by students have returned to FTII, it stick does not have a full-time director. Since the last director, Bhupendra Kainthola, was transferred after a six-year tenure — which included multiple extensions — in December 2021, he hasn’t been replaced yet. Professor Sandip Shahare has been filling in for the director since then.The institute’s governing council, its highest decision-making body, also remains headless. The tenure of director Shekhar Kapur, who was appointed chairperson of the governing council in September 2020, ended on March 3, but the government is yet to reconstitute the FTII Society.“The current protest at the institute is because of a decision taken by the Academic Council. In absence of the FTII Society, the AC has representatives from the administration and ex-officio members, apart from two student representatives. There are no FTII alumni or other members representing creative fields. That’s making the issue difficult to deal with,” said a former office-bearer of FTIISA.

FTII struggles due to backlog of batches, student protests, limited infrastructurePremium Story
A rooftop killing, writing on the wall and a revenge attack that left six dead in Madhya Pradesh villagePremium Story
The Indian Express | 4 weeks ago | |
The Indian Express
4 weeks ago | |

The house of the Tomars is a ghostly ruin. Ransacked and stripped bare since the entire family left for Ahmedabad a decade ago, cobwebs snake up the walls of the two-room haveli and wild growth fill the courtyard. On the walls of one of the rooms on the top floor is a scribble, possibly a portent of the coming storm: “Ranjit ki maut nishchit hai (Ranjit’s death is assured).”A rooftop shooting in 2013 in this haveli in Lepa, a village in Madhya Pradesh’s Morena district, would set in motion a chain of events that ended in six members of the Tomar family being shot dead on Friday, allegedly by their neighbours who were avenging the killings of two of their own a decade ago, police said.Those killed on Friday have been identified as Gajender Singh Tomar, the 60-year-old patriarch of the family, his sons Satyaprakash and Sanju, and daughters-in-law Keshkumari, Babli and Madhu Kumari. Nine of the Tomars, including Gajender’s son Virender, were injured in the attack.Nine people — all members of their neighbour Dhir Singh’s family — have been named in the case. While two of them, Dhir Singh and his relative Rajo Devi, are under arrest, the others are absconding.According to the Morena police, a dispute over dumping agricultural waste at a ground meant for a school had led to Gajender’s son Virender and a distant relative Ranjit allegedly gunning down two men from Dhir Singh’s family.Sources said that as the dispute escalated that day, the Tomars had fired from their rooftop at the two from Dhir Singh’s family who stood below — a decade later, it would be the exact spot, in front of the haveli, where six of the Tomar family would be killed on Friday.According to the FIR, the Tomars, including several children, had boarded a tempo with their belongings and reached Lepa village at 9.30 am. Waiting for them were the accused persons — Dhir Singh, his sons Monu and Ramu carrying wooden sticks; Bhupendra and Ajit, armed with Mouser rifles; Rajjo Devi holding a fistful of cartridges; Sonu and Shamu holding country made pistols; and Surajbhan with an axe.Lepa village is part of Chambal division, a region once infamous for its guns and dacoits. With a population of about 1,700, it’s barely 3 km from Bhidausa village, home to Paan Singh Tomar, the national-champion-turned-dacoit whose life was captured in an award-winning Bollywood film.“My father, grandfather and uncles know how to fire a weapon just like everyone else in my village. We did not come with weapons, we just wanted to return home. If we had rifles, things would be different,” says Ranjana, 17, Gajender’s granddaughter. On Friday, as the attackers dispatched bullets from their Mouser rifles, killing Ranjana’s mother Keshkumari as she tried to shield her husband, the 17-year-old had pulled out her phone to record the attack. Ranjana’s mobile phone is now part of the police’s evidence.Sitting outside the haveli, surrounded by grieving women, Ranjana says the 2013 incident would change their lives forever.Fearful of the consequences, around 20 members of Gajender’s family had fled to Ahmedabad in Gujarat, where he and the other male members worked odd jobs, including as security guards, while the women worked as thread cutters in small garment units. None of the children in the family, including Ranjana and her cousins, ever went to school.However, the 2013 case caught up with Ranjana’s father Virender, who worked as a rickshaw puller in Ahmedabad, and he was arrested in 2021.“After my father’s arrest, my mother and I worked overtime in factories earning Rs 5,000 a month. But then we lost our jobs during the lockdown and things got desperate… That’s when Dhir Singh’s family reached out to us for a compromise,” says Ranjana.Her grandmother, Gajender’s wife Kusuma, 57, said that it was at Morena’s Ambah court, where some of her family members had to appear for the 2013 murder trial, that Dhir Singh’s family allegedly struck a deal: they would turn hostile in exchange for Rs 5 lakh and a home.“My husband kept turning down their offer. But after the lockdown, it became difficult to earn any money. We have 11 women in the family and had to marry the girls off. Going back home seemed to be the only way out,” she says.Ranjana’s cousin Shivani Tomar, 15, lost both her parents in Friday’s attack.“I was four years old when my family left for Gujarat. My father lost his right leg in a train accident and my mother ran the household. She used to earn Rs 250 every day cutting thread. The pandemic made it extremely difficult for us. My grandparents and parents wanted to get me and my cousins married. They said we need to come back home for that. But I wish we hadn’t,” she says.Following Friday’s killings, multiple teams of the Madhya Pradesh Police have been scouring the state to arrest the seven absconding accused.ASP (Morena) Raisingh Narwariya told The Indian Express that the investigation has found that none of the nine accused owned a gun license. “We need to recover the weapon of offence, the accused did not have a gun license. There are around 27,000 weapons registered in Morena. Usually, two to four incidents of firing take place in a month over property disputes. But in my two-year tenure, this is the first time such a murder has taken place,” he said.

A rooftop killing, writing on the wall and a revenge attack that left six dead in Madhya Pradesh villagePremium Story
The new Nihangs: Academics to showbiz, wearing their faith on sleevesPremium Story
The Indian Express | 4 weeks ago | |
The Indian Express
4 weeks ago | |

In his flowing blue bana (a blue attire), a kirpan (sword) tucked into the broad belt (kamar kassa) and a boar-tooth necklace around his neck, the 31-year-old would seem more at home in a chauni (cantonment) than his swish Mohali office.A high-powered executive with a popular OTT app that promotes regional content, he said he wanted to remain unnamed as he believes his attire comes with “great responsibility”. Recalling what influenced him to become a Nihang, he said, “While studying in the United Kingdom (around 10 years ago), I saw British Sikh boys wearing banas and carrying kirpans. I was struck by how deeply the British Sikh community was attached to its culture and roots. I felt embarrassed about not embracing my own culture and decided to start wearing a bana,” he said.A warrior sect known to be aggressive in its defence of faith, Nihangs are prescribed a disciplined way of life (rehat), resulting in many of them leading traditional, austere lives. Yet, like the 31-year-old executive, a growing number of them are finding their own ways to express themselves — on social media and in their professional lives — while staying true to their faith.Sahildeep Singh, a second-year music student at Punjabi University, Patiala, said he decided to become a Nihang during the Covid-19 lockdown. “During the lockdown, the police would not allow people to step out of their homes. But I would go to Darbar Sahib (Golden Temple) every day by sidestepping all the barriers. It was at Darbar Sahib that I met some Nihangs. They inspired me to become one of them,” said the 20-year-old.Moving around in his traditional attire, Sahildeep breaks many stereotypes on the Punjabi University campus. “Initially, some students were taken aback when they saw me, but now few give me a second look. Anyway, no one has ever objected to my traditional attire on campus,” he said, adding that he is not attached to one jathebandi (body) and likes to visit different centres to learn from all.Over the past few years, Nihangs have often hit the headlines for the wrong reasons. In October 2021, a group of Nihangs claimed responsibility for the murder of a 35-year-old man at the Singhu border during the farmers’ protest. The man had allegedly disrespected the Sikh holy book. In April 2020, Nihangs had attacked a Punjab Police party in Patiala and chopped off the hand of an assistant sub-inspector when stopped for a curfew pass in the midst of the lockdown.These incidents, says author Jagdeep Singh Faridkot, often end up stereotyping the community. “It is a stereotype that Nihangs only fight. There have been Nihang scholars in every stream. They are singers, writers, poets and even teachers. But the world mostly sees them as soldiers stuck in the past.  Nihangs are unaffected by modernity but our minds have become incapable of understanding something that is not ‘so-called modern,” says Faridkot, a 40-year-old whose novel on Nihangs, Hane Hane Patshahi, has made him one of the bestselling Punjabi authors.Arvinder Singh, also called Nikka Singh, is pursuing his master’s degree in philosophy from Punjabi University, Patiala. Besides studying, he has also penned a book on Nihang poems and is reprinting old literature.“Arvinder Singh is the name given to me by my parents. Nikka Singh is the name given to me by the Dal Panth (a Nihang community),” the 25-year-old shared. He added that he was inspired to become a Nihang during the 2012 Hola Mohalla, a three-day festival started by Guru Gobind Singh, the 10th Sikh Guru, in the 17th century.“It dawned on me that a bana is not just a robe but a blessing by Guru Gobind Singh,” he said, talking of the moment he decided to turn to spirituality and the Nihang way of life.He added, “Many people think that Nihangs and universities have nothing in common. The truth is that Nihangs have played the role of teachers as well. Balwant Gargi (a famous Punjabi writer) wrote in his biography that a Nihang used to come to his village to teach children and that he received his first Gurmukhi lesson while the Nihang sat astride his horse.”Tejbeer Singh was pursuing a diploma in civil engineering from a college in Fatehgarh Sahib when he came in contact with Udna Dal, a Nihang jathebandi.“I can’t say for sure what attracted me to become a Nihang, but I have been with the Udna Dal for about eight years now. There is no specific reason why I became a Nihang. All I know is that a Nihang can have no motive other than serving Akal (the Timeless Being),” said the 24-year-old.Calling it seva (service), Tejbeer said he works in the stable at Udna Dal. Active on Facebook earlier, he has gone offline now. He said it was because he understood that being a Nihang meant freedom from material possessions.“My relatives are surprised to know that I take care of horses despite having a diploma in civil engineering. Little do they know that a stableman was appointed as a Nawab in the 18th century (Nawab Kapur Singh, a prominent military chieftain of the Sikh Confederacy). Every Nihang is considered equal and the Guru can shower his kirpa (blessings) on anyone,” he added.Jatinder Singh Bazidpur is a Nihang who works at a Nawanshahr-based private firm that specializes in immigration consultancy services. The 26-year-old said his company was founded by a highly qualified Nihang who had received job offers from numerous universities but had turned them down. Stating that priority for Nihangs was the Dal Panth, Bazidpur said he knows many Nihangs who prioritize their faith even as they work in offices or run their own businesses.Bazidpur, who became a Nihang seven years ago, said it is common for Nihangs to avoid publicity and maintain a distance from the outside world. However, he added, social media has touched their lives too.Several Facebook and Instagram pages run by admirers or acquaintances of Nihang jathebandia have started gaining popularity. Instagram handles like ‘Nihanglife’ and Facebook pages like ‘Budhadalfouj’, which have 66,500 and 47,000 followers respectively, show the life of Nihangs to bust myths about their stereotypical image.Kuljit Kaur Khalsa, a 28-year-old resident of Ludhiana, manages a Facebook page named ‘Ladlian Faujan (Guru’s Beloved Army)’. Her page, which has nearly 68,000 followers, contains posts on Nihangs grooming their horses, preparing langar (community meals), meeting followers, their language, etc. Khalsa, whose family is a devotee of Baba Joginder Singh, is a kavishri, a singer of Punjabi folk music and ballads about valour. She said social media pages like hers help people understand and appreciate Nihangs better.

The new Nihangs: Academics to showbiz, wearing their faith on sleevesPremium Story
From Assam to Bangalore and back, a Malabar parotta success story
The Indian Express | 2 months ago | |
The Indian Express
2 months ago | |

When he was 18, like many young men in the state, Diganta Das left his home in Assam to look for work in Bangalore. Despite more than a decade of work in South India, the pandemic brought him back home with no money in his wallet. But what he did have was the knowledge of how to make a good Malabar parotta.Now, with a six-month-old parotta manufacturing unit, 32-year-old Das is selling packaged parottas – a once unfamiliar food item – every day to residents of Upper Assam.“I’m the first businessman in my family,” said Das, a resident of Biswanath Chariali. His father was a farmer and, after completing school, he travelled to Bangalore in 2009 to supplement his family’s income.Over the years, he did many jobs in many cities: room service at hotels; security work in Mumbai; painting machines at a construction company; coconut husking; and, most crucially, various stints at parotta-making and packaging units.In early 2020, his friend Suriya Thapa from Tinsukia in Assam, who he had met in Bangalore and had also worked in parotta manufacturing units, decided to take the skills he had picked up to start his own such unit.Das joined him in marketing. They identified Vijayawada in Andhra Pradesh as a market with less competition and Thapa set up shop. But it was just a month before the pandemic and the national lockdown struck.Along with the crash in business, Das had another worry: his wife back home was due to give birth soon. The baby was born while he was in Andhra Pradesh.“The day the lockdown lifted, I rushed home. When I finally met my baby, she was a month old and I barely had Rs 10 in my wallet. That is when my mind began working on how I should set up something here,” he said.Two years ago, he met Faizul Hoque, who too had set up a parotta-making unit in his home in Udalguri in Assam, and began selling his product in the market around his hometown.It was six months ago that he decided to take the plunge and start a unit of his own in Biswanath Chariali.His old friend Suriya Thapa, whose business in Vijayawada continues, lent him a hand. “I helped him out with his investments. It’s not a formal business partnership, more like helping a friend out,” he said.“When I first entered this market, the parotta was not really a product that was known. But there are some shops in my town that accepted me and liked my product and began carrying it in their stores,” said Das.With a staff of 18, Das says he earns enough to meet his business expenses. The next step, he hopes, is profits.

From Assam to Bangalore and back, a Malabar parotta success story
Anubhav Sinha opens up on Bheed censorship, says trailer was controversial because it was about ‘a big man’
The Indian Express | 2 months ago | |
The Indian Express
2 months ago | |

Director Anubhav Sinha reflected on the noise around his latest film, Bheed, and said that he is not going to avert his eyes from the reality. Bheed underperformed at the box office, after several days of sustained controversy around its subject matter. The film is set in the earliest stages of the first Covid-induced lockdown in 2020. In an interview with Galatta Plus, Anubhav said that he is currently in an ‘angry and disheartened’ mood, but he isn’t ‘scared’. Asked how he deals with depressive phases, he said, “I stand up and look them in the eyes… I am just staring back.”The trouble for Bheed, starring Rajkummar Rao and Bhumi Pednekar among others, began after the release of the first trailer, which opened with a snippet of PM Narendra Modi’s speech announcing the lockdown, which was ultimately removed from the film, in addition to several swear words and shots from a sex scene. He acknowledged that he ran into ‘some complications’ with the trailer, but said that any inferences being made about the films being a criticism of the government, and those in charge of making decisions, is ‘an overprotective view of I don’t know who’.Anubhav compared the censorship process with that of his other films. He said, “In Mulk, I had a 90-minute discussion with the examining committee. Normally, it takes five minutes. In Article 15, the examining committee had to refer it to the revising committee, because they did not have a consensus. Things happened. Thappad was the cleanest one, in terms of process. Even Anek was fine. This one came out, it was written about, and it was about a big man that people like to write about.”He continued, “The Cinematograph Act itself… Most acts are open to interpretation. Sometimes, it depends on who’s interpreting that law… In Thappad, I got away with the F-word with a U/A certificate. This time, I didn’t. I had to change it to ‘damn’. I’m happy to change some. I use a lot of cuss words in day-to-day life, but I’m not an advocate of it… But two F-words that got deleted I wasn’t terribly happy about. It wasn’t the cuss words really, but a couple of small little things that shouldn’t have had a bearing on anybody, but did. If you see the film, it’s not about the timing of the lockdown, it’s not about anything. And you end up seeing the administration in a good light; the hero is a cop. But sometimes, it’s tougher than the rest.”Bheed also stars Pankaj Kapur, Ashutosh Rana and Kritika Kamra. The film is currently playing in theatres.

Anubhav Sinha opens up on Bheed censorship, says trailer was controversial because it was about ‘a big man’
Banking mistake leaves man richer by over Rs 1 lakh — and in jail two years later
The Indian Express | 2 months ago | |
The Indian Express
2 months ago | |

A bank account with over Rs 1 lakh that was ‘mistakenly’ linked to his Aadhaar number two years ago has cost Jeetrai Samant his freedom.The 42-year-old beedi worker, from Jharkhand’s West Singhbhum district, has been arrested by the state police for allegedly withdrawing the money that belonged to a woman, whose bank account was linked to his Aadhaar number erroneously.Samant came to know of the money two years ago, as Covid cast its shadow across the nation, through a Common Service Centre. The centres serve as access points for delivery of essential public services, welfare schemes, etc in rural and remote areas of the country. According to sources familiar with the probe, the CSC also had a bank representative to help withdraw money that a beneficiary might have in his or her account.But the law caught up with Samant last September, when the manager of Jharkhand Rajya Gramin Bank received a complaint from an account holder named Shrimati Laguri regarding money disappearing from her account. The manager wrote to the authorities and, on discovering the error that had taken place, asked Samant to return the money. Since he was unable to do so, an FIR was lodged against him in October under IPC section 406 (criminal breach of trust) and 420 (cheating) in the district’s Muffasil police station.Superintendent of Police Ashutosh Shekhar told The Indian Express: “Samant was arrested on March 24. There was a mistake and his Aadhaar got linked to someone else’s account, but he did not return the amount. He allegedly paid a bribe at the CSC point so no one else would get to know. (When police issued a notice about the issue) he wrote a letter to us saying he believed Prime Minister Narendra Modi had sent him money.”Bank manager Manish Kumar told The Indian Express: “Earlier, Bank of India used to sponsor the Gramin Bank, and now SBI does it. So the entire data was merged with SBI in April 2019, and it was during this process that Samant’s Aadhaar number got accidentally linked with someone else’s bank account. The woman did not complain earlier, else we could have stopped it.” He said it was “difficult” to pin blame on a single bank official.A UIDAI official, requesting anonymity, said: “This is clearly the bank’s mistake. The UIDAI has no role in it.”From October to March, Samant received three notices to appear before the police under CrPC section 41 A, under which police can arrest a person without a warrant in case he fails to appear before the court or the police since he is an accused.The Indian Express had spoken to Samant in December, before his arrest. At the time, he claimed: “During the first lockdown, everyone in the village was checking the amount in their Aadhaar-linked account numbers as it was announced that people would receive something. I put my thumb on the reading machine and it showed a balance as Rs 1,12,000. I rushed to the Gramin Bank, but could not find any money having been credited there. When I asked them about it, they told me the government would have sent the amount.”Police have claimed he withdrew Rs 2 lakh.Samant, a father of six children, said he kept withdrawing the money during the lockdown since he was in financial distress and believed it had come from the government.In response to one of the police notices, Samant had written to Superintendent of Police, Chaibasa, Ashutosh Shekhar in December. He claimed: “During the lockdown, there was a talk in the village that the Modi government is giving money in the account. My Aadhaar-based account showed Rs 1 lakh. The bank manager said I could withdraw the money. Now a case has been registered against me. I am not at fault. Without my knowledge, my Aadhaar was linked to someone else’s bank account. For the last two years, the bank did not even inform me.”Sub-inspector Ratu Oraon of Pandrasali observation point told The Indian Express: “After receiving the first notice, Samant did come to the police station, but he did not commit to returning the amount. Obviously there was a mistake when his Aadhaar got linked with Shrimati Laguri’s account number, but it was his moral responsibility not to withdraw the amount.”Asked why the arrest was not made earlier, Oraon said: “This was not an urgent case.”He added that Samant’s account originally had only Rs 650, but he kept withdrawing amounts ranging between Rs 500 and Rs 5,000. “Even during withdrawals, the name of the account holder must have appeared, but he chose to ignore that.”

Banking mistake leaves man richer by over Rs 1 lakh — and in jail two years later
3 years since lockdown, B'wood daily wagers are still struggling
The Indian Express | 2 months ago | |
The Indian Express
2 months ago | |

Its been three years since the Coronavirus induced lockdowns were announced and changed life for many. While the pandemic is behind us now, its repercussions still linger. Indianexpress.com revisited some daily wagers working in the Hindi film and television industry to understand how they’re coping with the aftermath of Covid-19 and if business is back to usual.Most daily wager workers in the film and television industry are  junior actors, make-up artists, background dancers, lightmen and spotboys. During the pandemic and the consecutive lockdowns their fight was not only about work or health, but also about survival. While most of them have sailed through the rough seas, many still struggle to make ends meet.“I stopped working because my health started giving up on me,” says Ghulam Sattar who worked on television shows as a lightman. Ghulam, during the pandemic, received aid from Sajid Nadiadwala and was looking forward for business to get back on track but now, at the age of 57, he says, his knee injury didn’t recover as expected. “I tried work after Covid-19, but it was too slow and too less, so I gave up, I can’t say that I happily retired. However, now my sons go out for work and I try to rest at home. My elder son is also a lightman and has gone to Bhopal for a shoot, my younger son doesn’t keep too well, so he works when something comes up in Mumbai. I miss work gravely and it feels like so many years of my work life were stolen by the pandemic, but we are slowly coping with it and getting back on track.”Rakesh Maurya, a spotboy by profession and the president of Film Studio Setting and Allied Mazdoor Union says, “After Covid-19 passed, we thought work will start soon, but then started the black phase in Bollywood with most films flopping and not earning at the box office, so, most production houses were scared to start shooting their big-budgeted films which resulted in more technicians remaining jobless. However, now, after YRF’s Pathaan was a big hit, many producers are getting their confidence back, and bigger films are being made again. We are getting work for OTT platforms slowly too. Things are slow, much slower than we expected them to be. We are waiting for shoots to begin in full force. Today, the number of films being made in Bollywood has come down considerably, and what we would earn in a month, we aren’t able to make even in two-three months.”Ashok Variava, general secretary of the Bollywood Photographer Association, who was hopeful about work when the lockdown restrictions were relaxed, says, “Things are changing at the fast pace, and it’s becoming more and more challenging as producers’ requirements are different, cameras are very costly but no one wants to pay us more. Every year we need to invest in a new camera, which costs anything between Rs 5-6 lakh. There was an issue with our trade union, so the federation (FWICE) which was helping us so much during the pandemic, suddenly has many restrictions. When it comes to our stalled payments, nobody is taking the responsibility to resolve the issue.”  A post shared by Meghna Gulzar (@meghnagulzar)Kuranakar Bangera of Bollywood Dancers Association tells us that the situation for background dancers is pretty bad after the pandemic. He says, “More and more non members are being hired for songs in films today while members are left jobless. Producers are cutting cost and paying non members Rs 1000- 1200 per day and getting their work done. Post-pandemic, it seems like there are no rules and regulations, the federation is not able to help us either. Members complain regularly because they are still out of work.”Ashok Dubey, general secretary of FWICE, tells us work is starting slow, too slow to be sustainable. He says, “When the lockdown was lifted and all the big films started tanking, producers were vary. But now things are getting back on track and shoots of big films and web-series has started. But hardly any shooting is happening in Mumbai and Maharashta, there are more outdoor shoots happening and junior artistes are not taken for shoots outside the city, unless they need a particular face on their project. Even dancers are getting less work right now because big film shoots were on a hold. But now many Dharma, YRF films have started shooting so daily wage workers, junior artistes and dancers are slowing getting work.”Dubey shares how some big production houses like Yash Raj Films, Frames Production and others have continued to give aid to workers. He shares, “Big production houses are still trying to help out the workers. YRF is still sending rationing kits to around 1500 workers, paying for medical expenses and giving other aid as well. Frames Production has taken up the responsibility of sponsoring education for 25 children of junior artistes, so that help is still coming in. However, some production houses are making workers work longer hours and giving them lesser pays too.”   

3 years since lockdown, B'wood daily wagers are still struggling
Bengaluru scammed of Rs 70 crore in crypto-trading frauds in 2022Premium Story
The Indian Express | 2 months ago | |
The Indian Express
2 months ago | |

On October 10 last year, a 28-year-old software engineer received a WhatsApp message from “Lilly”. The “accidental” text was followed by conversations spanning nearly three weeks, during which she expressed her desire to visit India and learn more about the techie’s family. Since he had mentioned a financial problem, Lilly offered a solution — buy cryptocurrency and invest it on a portal she traded on. He invested Rs 3.5 lakh. Over the next two months, he took loans from three banks and made his girlfriend avail a loan of Rs 25 lakh. It was only when he lost a whopping Rs 59 lakh that the Bengaluru resident realised he had been conned.The couple are among the many victims of cryptocurrency trading scams in Bengaluru. According to estimates, of the Rs 274 crore lost to cybercrimes in the city in 2022, Rs 70 crore (almost 25 per cent) alone was lost to frauds related to cryptocurrency trading, an increase of 624 per cent from the previous year.According to data released by KuCoin, a global cryptocurrency exchange, in August last year, India had an estimated 115 million cryptocurrency investors.Bengaluru police said cases related to cryptocurrency are hard to crack because of the modus operandi.An officer attached to the cybercrime police station said, “These scams are usually carried out via advertisements on social media, including Instagram and Facebook. Because scammers offer very attractive returns in a matter of minutes, people fall into their trap quite easily.”Explaining the scam, the officer continued, “These are pig butchering or romance scams where the scammers initiate a conversation with potential victims through social media or other platforms. Once they establish a degree of trust, they encourage their victims to invest in cryptocurrency trading. Claiming to have insider tips, they guarantee good returns. The scammers ask the victims to download a seemingly authentic application or go to a website — both controlled by them — to make the investment in cryptocurrency. Once a good amount has been invested by the victims, the transactions disappear on the blockchain [a system in which records of cryptocurrency payments are maintained across several linked computers] since the platforms are fake.”The Federal Bureau of Investigation (FBI) in the United States has called the scam “a fraud that is heavily scripted and contact intensive”.“Like phishing messages we receive on our mobile phones, cryptocurrency scam messages too are directed towards investors and sent out in bulk. Some even fall prey to these scams. Social media is a great tool to target vulnerable citizens to invest their money,” said a cybercrime police officer.Another victim of fraudulent cryptocurrency trading was a 23-year-old Bengaluru resident, who saw the profile of a “certified cryptocurrency trader” on Instagram. When the youth contacted the scammer, he was shown investment plans that guaranteed to double his investment in just 20-30 minutes. The victim invested Rs 5,000 immediately. A few minutes later, he received a WhatsApp message informing him that he had made Rs 10,400 on his investment. But there was a catch — he would need to pay taxes and other charges to withdraw his “profit”. In just two days, he lost Rs 78,543 to fraudsters.Criminal Investigation Department (CID) Superintendent of Police Suman D Pennekar blamed the success of these frauds on lack of awareness on cryptocurrency trading.Another officer said, “During lockdown, many people wanted to invest in cryptocurrencies and stocks. Many chose cryptocurrency over stocks since the returns were higher. The problem started when people started investing in third-party applications rather than exchanges and lost their money.”In March 2021, Elon Musk, the current CEO of Twitter, created ripples when he announced that a Tesla could be paid for in Bitcoins. A Bitcoin that cost about Rs 17.72 lakh in December 2020 shot up to Rs 44.54 lakh by March. Such was Musk’s influence, that many across the globe started investing in the virtual currency.Vineet Kumar, founder and president of Cyber Peace Foundation, a cyber security firm, said, “There is less awareness but high demand for cryptocurrency trade in India. When the Indian stock market crashed during the lockdown, people did not know where to invest. Cryptocurrencies were thriving at that point. There were advertisements everywhere promoting cryptocurrencies on social media. The returns were attractive and the time for the returns was very less.”On the challenges faced in investigating such cases, Joint Commissioner of Police (Crime) S D Sharanappa said, “Anonymity is a huge challenge (for investigators) when it comes to cybercrime. The fake SIM cards, bank accounts and the use of VPN (virtual private network) make it more complex. The public needs to do some research before trading on cryptocurrency platforms.”Last April, the Central Crime Branch (CCB) arrested four cybercriminals. Sharing the case details, Sharanappa said, “The accused had created about 900 WhatsApp groups. Their own people pretended to be customers who had received good returns. In a matter of three months, the firm collected Rs 20 crore in the name of investment in ‘Helium’, a new cryptocurrency. One fine day, they removed their application from Google Play Store and shut down all the WhatsApp groups to siphon the money.”

Bengaluru scammed of Rs 70 crore in crypto-trading frauds in 2022Premium Story
Anubhav Sinha on claims of sensationalising Partition, removing PM Modi’s speech from Bheed trailer: ‘Every film goes through various challenges’
The Indian Express | 2 months ago | |
The Indian Express
2 months ago | |

Filmmaker Anubhav Sinha says it’s best for him to focus on the story of his upcoming film Bheed, rather than the controversy surrounding it. Ever since the first teaser of the film dropped, the pandemic-set drama has been generating polarising discussion.Bheed chronicles the plight of migrants during the Covid-induced lockdown of 2020, when lakhs of migrant workers travelled to their home towns from cities. The teaser drew parallels with the horrors of Partition, juxtaposing grim visuals of 1947 and the heartbreaking images of 2020 lockdown with a powerful voiceover which says, “Ek baar phir hua tha batwara, 2020 mein (The Partition happened once again, in 2020).”The visual unit lead to an uproar, with a section on Twitter dubbing the film “anti-India”. Soon, producer and presenter Bhushan Kumar reportedly distanced himself from Bheed, with his company’s name T-Series disappearing from posters and social media tags. Even the film’s trailer, which began with a voiceover of Prime Minister Narendra Modi announcing the lockdown and juxtaposed it with visuals of migrant workers being beaten up by the police, was replaced with a new trailer, completely omitting the earlier audio video.When asked, why was PM Modi’s voice over removed the new trailer, Sinha told indianexpress.com, “There are more changes in the trailer, but this makes more news for you.” When explained that it’s the biggest change, Sinha agreed but added, “Every film goes through various such challenges. In Thappad I wanted to use Amrita Pritam’s poem. I couldn’t use it so one day before the film release, I had to change it.“It didn’t matter to anybody, why? Did you ask me? I had to overnight write a poem, sync with a Punjabi lip sync. I was in Delhi, Kumud Mishra was dubbing it from Mumbai. I had to write a poem to match Amrita Pritam’s lip sync in Punjabi! That’s an interesting story, not this (removal of PM Modi’s voice over). Let’s talk about Bheed the story. I don’t want to distract people from the story of Bheed, as it’s way more interesting.”The teaser of Bheed had also made a section of people on the internet feel that it attempted to sensationalise the crisis with its deliberate reminder of the traumatic partition. Sinha, however, said he doesn’t take seriously what people on Twitter feel. “Who are those people? On Twitter? Internet is not a farce but a lot of it is. People have opinions. Like how in small towns people gather around pan shops, the same way Twitter has a lot of these discussions. On Twitter, even Elon Musk talks stupidity and he’s such an intelligent man.”The director said he is by now used to people labelling him “anti-national”, after having helmed acclaimed socio-political dramas like Mulk and Article 15. So when he was alleged to have made Bheed with vested interest to show the country in poor light, Sinha said it didn’t bother him at all.“Yes I have heard I am anti-national before. I do hear it for most of my films. But it didn’t surprise me. I love India, I love the original idea of India. Anybody who loves India more than I do, I respect that person. I’m trying to do my best as a lover and I’m sure even they’ve done their best as lovers of the country.“The teaser got that reaction because it’s the angle. When you see a black spot on the road it may look like sh*t or a coal tar. It’s how you see it and the angle is always of convince. These things happen when the other angle is inconvenient. Then you want to shift to the convenient angle, see it and reject the inconvenience. So I am fine with it really,” he added.Bheed stars Rajkummar Rao, Bhumi Pednekar, Dia Mirza, Pankaj Kapur, Ashutosh Rana, Kritika Kamra and Kumud Mishra. The film is scheduled to release on March 24.

Anubhav Sinha on claims of sensationalising Partition, removing PM Modi’s speech from Bheed trailer: ‘Every film goes through various challenges’
Hardship & struggle make Treesa Jolly the player she is
The Indian Express | 2 months ago | |
The Indian Express
2 months ago | |

You need to have stayed away from home and parents, gone through difficulties of getting food after missing hostel mess deadlines and felt deliriously grateful when some kindly lady offered to pack a tiffin for you sensing your struggle, to understand where Treesa Jolly’s appetite for a fighting win comes from.We asked her about the metaphorical hunger to win, what fuels that tremendous energy when she stomps about the court and guides the shuttle with terrific angles across the net. Her reply blends her struggles on the court and many more off it.“I moved from my village to Kannur city’s Mundayad to train at the University indoor courts at age 12. Alone. For badminton. Obviously, I missed my family, and fixing dinner every day after practice sessions was a struggle. But I had that fighting spirit inside me. I had to do this. I knew this was my long journey. If I lose, I have to come back and beat them,” she recalls of the three years after leaving her home in Pulingome village and before moving to Hyderabad at the age of around 15.She had to move because her village had no indoor court to train on. Dr Anil Ramanathan, director of the Kannur University, would offer to let her train without coaching charges, but that meant moving out and staying away from home. It’s the three years in Kannur that Treesa says shaped her personality, and it’s a struggle memories of which she dips into – to tell herself that being on a badminton court facing a Top-10 opponent is nothing in comparison.“I rented a flat with 3-4 other players at Kannur because I couldn’t afford otherwise. I had to wash my own clothes in the beginning. Getting food used to be difficult. The university mess would give first access to their own physical education students. If we missed that short window, getting food anywhere else would become a problem in the evening. Staying out, not getting food, is one of the toughest experiences that have made me strong,” she says.A young Treesa – in her early teens – also taught herself to ignore undercurrents of envy that can make hostel life hellish. “The other girls were seniors. I was playing better than most of them there, and they would get jealous. At that age, it was difficult because if I needed some help, I had to approach my seniors only. I told myself I don’t care, I’m so strong,” she recalls of the tricky days.“It was a rollercoaster, but we’re extremely happy with our performance today.”Another big win for the Indian WD pair 🇮🇳 pic.twitter.com/0e7O0TMlL9— 🏆 Yonex All England Badminton Championships 🏆 (@YonexAllEngland) March 16, 2023Sacrifices by familyBesides, Kannur city had a wondrous wooden court, on which she had always dreamt of playing, as a child.Treesa remembers her father making her and her sister an outdoor court to play on. He was a physical education teacher, who himself played badminton, volleyball and ran marathons. Both her parents taught in an unaided school, from where getting leave to travel with her for tournaments would become difficult, and her father would resign. “Because in the rainy season, it would become a mess, my dad made the first tarpaulin court so we wouldn’t miss a single session,” she says.In her first state tournament, Treesa would win a singles silver. “That was the first time I saw a wooden court. I couldn’t even think of playing on a court like that, it was so shiny,” she recalls her wonder. “And then all these people came with hi-fi kits. But I won the doubles gold with my sister, Maria Jolly.”Tournaments were the only time Treesa would play with feather shuttles. “I couldn’t afford them so it was plastic shuttles. I told myself anyway I need to win, plastic or feather shuttle, doesn’t matter. It couldn’t be an excuse.”The parents also had to choose between the two daughters to allow Treesa to go ahead with sport, because they could only afford one person’s equipment and coaching expenses, so Maria was asked to step back, though she continued playing badminton as a hobby. “My father watched badminton and taught us variations and how to mix strokes. I had the natural talent for doubles and got results there, so I decided if I focus on that I can be the world’s best player,” she says with clarity.While doubles as a serious pursuit has taken off in India only in recent years after Satwiksairaj Rankireddy and Chirag Shetty started logging in regular international victories, it was the Kerala environment which has always nurtured the discipline. “Kerala has had so many players – Aparna Balan, V Diju, Sanave (Thomas), Rupesh (Kumar). But more importantly, there are so many local tournaments where just doubles is played. No one will conduct singles meets. I remember before going for state tournaments, we would travel half an hour to play tournaments with these uncles in the age-bracket of 22-40. Me and my sister grew up competing against them, that’s how my game got its style,” she says. “We just love doubles in Kerala.”She loved it enough to move out of home to Kannur City, and then later make the shift to Hyderabad.Rising through the ranksPicked for the national camp, Treesa’s earlier partners had been her sister Maria, then Mehereen Reeza, and later during the Dutch-German Open swing of tournaments, V S Varshini. Coaches at the national camp would pair her up with Gayatri Gopichand, as their games immediately complemented each other, and the pandemic lockdown would give her further clarity. “During the lockdown, we had Zoom sessions morning and evening. After 6-7 months, the academy opened and I realised I love playing doubles and I was enjoying the practice sessions,” she recalls.Runners-up at the Syed Modi International, the unexpected march into the All England semis in 2022, beating two Top-20 pairings on the way, the Uber Cup last season, and then the Commonwealth Games, were followed by stunning wins against Malaysian, Hong Kong and Chinese pairs at the Mixed Team Asian meet this year.It helped that former doubles player Arun Vishnu had risen in the ranks to become a national level coach. “Especially with the language. I call him Chetaa, and I could directly tell him anything that was on my mind. During matches he keeps saying ‘adiki adi’ – I’m damn sure you will win’.”Being a livewire on court also means she holds her resting hours precious. “No hobbies, after sessions I love to sleep,” she says. Playing the Nationals in Pune, the pairing would play two matches a day. “Rest is more important during tournaments,” she adds.Treesa loves her movies and TV series and K-Pop though. “Alice in Borderland, it’s like Squid Games. That’s my latest favourite. But I like K-dramas – Crash Landing on You, It’s Ok to not be OK. Blackpink are my favourite K-Pop band, and I end up watching 2-3 movies after every tournament. Kaapa in Malayalam was the latest.”We return to the original question during the interaction: what fuels her energy? “It’s not so much about Kerala food, I like many types of food. But my mother’s tapioca biryani and beef. And kappa biryani. But staying out when you are not getting food, and you struggle like I did in Kannur, you become grateful for any food you get when hungry.” You also get strong-willed and resilient like the 19-year-old youngster Treesa Jolly.

Hardship & struggle make Treesa Jolly the player she is
  • Hardship & struggle make All England Badminton semifinalist Treesa Jolly the player she is
  • The Indian Express

    You need to have stayed away from home and parents, gone through difficulties of getting food after missing hostel mess deadlines and felt deliriously grateful when some kindly lady offered to pack a tiffin for you sensing your struggle, to understand where Treesa Jolly’s appetite for a fighting win comes from.We asked her about the metaphorical hunger to win, what fuels that tremendous energy when she stomps about the court and guides the shuttle with terrific angles across the net. Her reply blends her struggles on the court and many more off it.“I moved from my village to Kannur city’s Mundayad to train at the University indoor courts at age 12. Alone. For badminton. Obviously, I missed my family, and fixing dinner every day after practice sessions was a struggle. But I had that fighting spirit inside me. I had to do this. I knew this was my long journey. If I lose, I have to come back and beat them,” she recalls of the three years after leaving her home in Pulingome village and before moving to Hyderabad at the age of around 15.She had to move because her village had no indoor court to train on. Dr Anil Ramanathan, director of the Kannur University, would offer to let her train without coaching charges, but that meant moving out and staying away from home. It’s the three years in Kannur that Treesa says shaped her personality, and it’s a struggle memories of which she dips into – to tell herself that being on a badminton court facing a Top-10 opponent is nothing in comparison.“I rented a flat with 3-4 other players at Kannur because I couldn’t afford otherwise. I had to wash my own clothes in the beginning. Getting food used to be difficult. The university mess would give first access to their own physical education students. If we missed that short window, getting food anywhere else would become a problem in the evening. Staying out, not getting food, is one of the toughest experiences that have made me strong,” she says.A young Treesa – in her early teens – also taught herself to ignore undercurrents of envy that can make hostel life hellish. “The other girls were seniors. I was playing better than most of them there, and they would get jealous. At that age, it was difficult because if I needed some help, I had to approach my seniors only. I told myself I don’t care, I’m so strong,” she recalls of the tricky days.“It was a rollercoaster, but we’re extremely happy with our performance today.”Another big win for the Indian WD pair 🇮🇳 pic.twitter.com/0e7O0TMlL9— 🏆 Yonex All England Badminton Championships 🏆 (@YonexAllEngland) March 16, 2023Sacrifices by familyBesides, Kannur city had a wondrous wooden court, on which she had always dreamt of playing, as a child.Treesa remembers her father making her and her sister an outdoor court to play on. He was a physical education teacher, who himself played badminton, volleyball and ran marathons. Both her parents taught in an unaided school, from where getting leave to travel with her for tournaments would become difficult, and her father would resign. “Because in the rainy season, it would become a mess, my dad made the first tarpaulin court so we wouldn’t miss a single session,” she says.In her first state tournament, Treesa would win a singles silver. “That was the first time I saw a wooden court. I couldn’t even think of playing on a court like that, it was so shiny,” she recalls her wonder. “And then all these people came with hi-fi kits. But I won the doubles gold with my sister, Maria Jolly.”Tournaments were the only time Treesa would play with feather shuttles. “I couldn’t afford them so it was plastic shuttles. I told myself anyway I need to win, plastic or feather shuttle, doesn’t matter. It couldn’t be an excuse.”The parents also had to choose between the two daughters to allow Treesa to go ahead with sport, because they could only afford one person’s equipment and coaching expenses, so Maria was asked to step back, though she continued playing badminton as a hobby. “My father watched badminton and taught us variations and how to mix strokes. I had the natural talent for doubles and got results there, so I decided if I focus on that I can be the world’s best player,” she says with clarity.While doubles as a serious pursuit has taken off in India only in recent years after Satwiksairaj Rankireddy and Chirag Shetty started logging in regular international victories, it was the Kerala environment which has always nurtured the discipline. “Kerala has had so many players – Aparna Balan, V Diju, Sanave (Thomas), Rupesh (Kumar). But more importantly, there are so many local tournaments where just doubles is played. No one will conduct singles meets. I remember before going for state tournaments, we would travel half an hour to play tournaments with these uncles in the age-bracket of 22-40. Me and my sister grew up competing against them, that’s how my game got its style,” she says. “We just love doubles in Kerala.”She loved it enough to move out of home to Kannur City, and then later make the shift to Hyderabad.Rising through the ranksPicked for the national camp, Treesa’s earlier partners had been her sister Maria, then Mehereen Reeza, and later during the Dutch-German Open swing of tournaments, V S Varshini. Coaches at the national camp would pair her up with Gayatri Gopichand, as their games immediately complemented each other, and the pandemic lockdown would give her further clarity. “During the lockdown, we had Zoom sessions morning and evening. After 6-7 months, the academy opened and I realised I love playing doubles and I was enjoying the practice sessions,” she recalls.Runners-up at the Syed Modi International, the unexpected march into the All England semis in 2022, beating two Top-20 pairings on the way, the Uber Cup last season, and then the Commonwealth Games, were followed by stunning wins against Malaysian, Hong Kong and Chinese pairs at the Mixed Team Asian meet this year.It helped that former doubles player Arun Vishnu had risen in the ranks to become a national level coach. “Especially with the language. I call him Chetaa, and I could directly tell him anything that was on my mind. During matches he keeps saying ‘adiki adi’ – I’m damn sure you will win’.”Being a livewire on court also means she holds her resting hours precious. “No hobbies, after sessions I love to sleep,” she says. Playing the Nationals in Pune, the pairing would play two matches a day. “Rest is more important during tournaments,” she adds.Treesa loves her movies and TV series and K-Pop though. “Alice in Borderland, it’s like Squid Games. That’s my latest favourite. But I like K-dramas – Crash Landing on You, It’s Ok to not be OK. Blackpink are my favourite K-Pop band, and I end up watching 2-3 movies after every tournament. Kaapa in Malayalam was the latest.”We return to the original question during the interaction: what fuels her energy? “It’s not so much about Kerala food, I like many types of food. But my mother’s tapioca biryani and beef. And kappa biryani. But staying out when you are not getting food, and you struggle like I did in Kannur, you become grateful for any food you get when hungry.” You also get strong-willed and resilient like the 19-year-old youngster Treesa Jolly.

Rahul Kumar: ‘It is as stupid as it is brave to dream with a life like mine’Sign In to read
The Indian Express | 5 months ago | |
The Indian Express
5 months ago | |

As we emerge from the pandemic and everything around us opens up, we speak to people across the country to hear their stories and their strugglesRahul Kumar, 18Worker at the new Parliament building, Central Secretariat, New DelhiOf late, at work, I have been hearing about a new variant of COVID spreading in China. The last time the pandemic struck, I was in my hometown in Bihar, and most days, we lived on plain rice from the government’s ration scheme, not even dal was provided. I remember my father, a carpenter, losing his job, after which we had to borrow Rs 1 lakh from a local moneylender for my sister’s wedding. The debt has now piled up to Rs 4-5 lakh. Two months ago, I thought that boarding a train to Delhi from my village in Samastipur would solve my woes. Now, I slog away as a helper at the Central Secretariat Parliament construction site to earn Rs 475 a day, and nowhere am I close to paying back the loan. If I borrow Rs 10,000 today, I am asked to repay Rs 50,000 within two years. If I have to shell out Rs 8 lakh in another two years, how will I settle this debt?The last couple of years have been challenging. We might have ridden COVID out, but we haven’t outlived its aftermath. Now, there are talks about the virus again, and I can’t imagine going back to my village without enough money. I dropped out after Class IX, owing to the pandemic, and now at 18, have to stay in Delhi and work alone, away from home. Though my accommodation in Ganesh Nagar — where 12 workers are lodged in four tiny rooms — and commute, are taken care of by the contractor, a lot of money goes into food, and I have very little savings. Which is why another lockdown would land me in dire straits.“Dreams are many, but it is as stupid as it is brave to dream with a life like mine. I want to open a shop in my village where my grandparents own 4 kathas (2,880 square feet) of land, so I can stay at home, but it is just that — a dream. I no longer think about resuming my studies. It has been a long time and I don’t have the liberty to spend money or time on it. If I have enough money after repaying all debts, I want to build a better house since we could not avail of the housing scheme for the poor. But for now, all I care about is an impending lockdown. Every time I see an official, I ask them, “Will there be another lockdown?”What I want to leave behind from the past two years?The fear of lockdownWhat I am looking forward to in 2023?Earn enough to repay the loan within a year— As told to Aiswarya Raj

Rahul Kumar: ‘It is as stupid as it is brave to dream with a life like mine’Sign In to read
Shobha Dilip Kushwha: ‘The doctors are doing so much for us, can’t we do something for them?’Sign In to read
The Indian Express | 5 months ago | |
The Indian Express
5 months ago | |

As we emerge from the pandemic and everything around us opens up, we speak to people across the country to hear their stories and their strugglesShobha Dilip Kushwha, 39Worker at IAttire, Pune, MaharashtraWhen I used to make clothes on my sewing machine at home in Nagpur and, then, Pune, I never thought that, one day, I would be tailoring PPE (Personal Protective Equipment) kits. I work for a company called IAttire in Pune, manufacturers of corporate uniforms. I was in the Shirts division. My earnings helped at home, especially with the education of our two children.The lockdown brought a halt to regular production, but IAttire got the government’s approval to make PPE kits, one of the few companies in India to be certified. We started working on PPEs, where we had to be careful about every stitch so that no virus could get inside the body. Special machines had been imported and kept in “clean rooms”. Unlike shirts, PPE was a one-piece garment that covered the entire body, including the head. I learnt the new design in half a day.In our minds, there was a constant fear of the disease but our sewing machines never slowed down. Doctors hamare liye itna kar rahe the toh apun unke liye kuchh kyun nahin kar sakte (The doctors were doing so much for us, can’t we do something for them?). I would make 50 PPEs in a day, a few others could do 100. We also won a contract to make PPEs for Indigo airlines and realised that our work was helping in bringing back normalcy. We worked on PPEs until October-November 2021, when the government and the aviation ministry announced that the PPEs wouldn’t be required any more.During the pandemic, I came to know of women who had lost their jobs. I brought about 60 of them to the factory and they were taken in to make PPEs. They still work at the factory. The lockdown was a time of great difficulty in many homes. A lot of companies had shut down, and people wondered how to put food on the plate. My husband, a driver, had also lost his job but my company hired him. He would transport the special fabric for PPEs from Mumbai to our factory in Pune. We were aware of the risks, but it helped to know that our work was keeping a lot of people safe.What I want to leave behind from the past two years?I hope those dreaded days of fear are now behind us. Let us never see another such time. The horror of companies shutting and people left jobless should be a thing of the pastWhat I am looking forward to in 2023?I am looking for dreams coming true — my daughter entering an air-hostess academy; everybody having rozi roti and children going to school rather than studying online— As told to Dipanita Nath

Shobha Dilip Kushwha: ‘The doctors are doing so much for us, can’t we do something for them?’Sign In to read
‘I started taking care of my personal growth and want to keep learning’Sign In to read
The Indian Express | 5 months ago | |
The Indian Express
5 months ago | |

As we emerge from the pandemic and everything around us opens up, we speak to people across the country to hear their stories and their strugglesMumtaz Saifi, 21Entertainment Service Provider, PVR: Vegas LUXE, Dwarka, New DelhiTowards the end of 2019, I began working at PVR. I sell tickets to customers at the box office, make popcorn and serve them drinks, and, overall, ensure they have a good time at the theatre. When I joined, I was also a year into my undergraduate studies at Delhi University’s School of Open Learning, and was managing both responsibilities. I stayed with my family in Palam, worked nine hours a day and got one day off. I worked only for a few months, from December 2019 to March 2020, and then the pandemic started.We never expected it. We were afraid of the disease and that we would lose our jobs. But I was lucky. PVR supported me financially and emotionally in those lockdown periods. My father, who is an assistant manager at a company, met with an accident and, temporarily, I became the sole earning member for my parents and two siblings. But since theatres were shut, we could not go to work, nor could we go out with friends and family. It got really boring. I started missing the time when I could go out, and realised the value of my loved ones as many began losing people close to them.I started taking care of my personal growth. I spent time with my family, I cooked a bit, I started exercising and doing yoga, and then, since I wanted to do something productive, I decided to learn another language: German. That was something I have always wanted to do! We were home for an entire year, and restarted work around March 2021. Many of my friends lost their jobs, while some got financial support from their companies. Somehow, we all managed, and have come out stronger.What I want to leave behind from the past two years?People were losing so many of their loved ones, I never want that to happen again. Also, the lockdown was really difficult, it’s hard to stay at home all day. I really like going out with friends and familyWhat I am looking forward to in 2023?I’m currently pursuing my Master’s in English Literature from Indira Gandhi National Open University, and enjoy my studies. I’m learning about the history of the English language and how it came to India. Secondly, of course, I want everyone to be healthy and safe if a new COVID wave comes, so we aren’t affected like before— As told to Udbhav Seth

‘I started taking care of my personal growth and want to keep learning’Sign In to read
Beach and family time is priority while in Goa, says Prateik Babbar
Times of India | 5 months ago | |
Times of India
5 months ago | |

Prateik Babbar was in Goa for the release of his Hindi film India Lockdown at the International Film Festival of India (IFFI), Goa Times, gets in touch with him where he plays the role of a migrant worker. While talking about the role he says, "Portraying a migrant worker was an extremely humbling experience. While filming, every single day was a reminder of how blessed and privileged I actually am. Had the opportunity to relive the struggles and hardships the community faced during the lockdown. And even otherwise on an everyday basis. They struggle to make ends meet and provide for their families. Representing this society and portraying their heart-wrenching journey through lockdown was a huge responsibility. It had to be done with the utmost sincerity and honesty. I wanted to leave no stone unturned. I really hope I’ve done justice." Talking about working with director Madhur Bhandarkar he says, “The Madhur Bhandarkar” is an institution in himself. I am deeply indebted to him for giving me the opportunity to play Madhav and represent the migrant community. An actor’s director, who’s not afraid to think out of the box and break molds. It’s an honor to be part of a Madhur Bhandarkar film. We had great actor-director chemistry on set." With an OTT release, the film will have a wider range of audience viewing it and relating to it and to this Prateik agrees, "Yes absolutely! I think it’s a conscious decision to have an OTT release. These are stories that need to be told and this is a film that needs to be watched." Having a restaurant in Goa, he travels here very often, "It's like my second home and I visit whenever I can. Beach time is a priority while in Goa, Spending time at my restaurant, indulging in delicious cuisines, and catching up with friends and family." On the work front he is working with Pratik Gandhi and Taapse Pannu "Two very special films will be announced soon. I am looking forward to a bright future."

Beach and family time is priority while in Goa, says Prateik Babbar
I love to observe people, I take incidents from my experiences for my films: Madhur Bhandarkar at IFFI
Times of India | 6 months ago | |
Times of India
6 months ago | |

The national award winning director, Madhur Bhandarkar attended the International Film Festival of India (IFFI) along with the crew and team of his movie India Lockdown screening. In a candid chat with Goa Times after he visited his Kuldevi temples at Ponda , he says “Goa is like my second home, I come here very often. In Goa, we have our kuldevi here and every time I come here, I visit the temple at Laxmi Narasimha temple in Ponda and the Mangueshi temple in Mardol.” Most of the films made by Madhur are based on true incidents. “My other film, Babli Bouncer made a great impact on people and after COVID people needed some sort of entertainment to watch. India Lockdown was a hard hitting film and most of the instances were derived from people. 70% of inspiration was taken from the real incidents. Even the part which focuses on the prostitutes, was based on the issues the women has to face during COVID. In the same year I made these two different types of films. Babli Bouncer was made as an entertainer for families and India Lockdown was different,” says Madhur. OTT may have brought in more talents but it has also programmed the audience to explore newer and better cinema. “I feel every film has its own equations and vibe to reach the box office. South Indian cinema has been great for pan India cinema. Kantara was really nice, I didn’t know a world like that existed. Driysham2 is doing well for the industry, among exhibitors and distributors. But when OTT bloomed, audience is programmed to watch not just Indian cinema but also world cinema. I know friends who wouldn’t watch Bollywood movies but now they are watching world cinema and international series. There is so much of content on OTT and this medium will stay and this will evolve over a period of time.” He add s, “Babli Bouncer and India Lockdown have OTT releases and my audience has told me that they have older people at home who dont prefer to go to the cinema halls but instead watch OTT. So in a way I have earned this audience too. There is also another type of audience who will not go to the theatre but wait for it to be released on OTT. However, the theatre and OTT medium will co-exist.” Known for making women centric films, Madhur tells us, “I’ve been brought up around women, my (late) mother, sister, wife and daughter. I really don’t know how I can bring in the nuisance of a woman’s mind. All the women actors who worked in my film have done an exceptional work. When people narrated a story or incident, I would only imagine what they tell. That too has helped me be a film maker.” Talking about his process, observation is key,says Madhur. “ I love to observe people and when I’m sitting at an airport I see people and their reactions and expressions. Some run, some are happy, some anxious and some scared all type of experiences. I’ve watched a lot of films from childhood, when I was younger, I would watch films shows at 12 pm to 3 pm and if I liked it, I would watch it at 6 pm. I was a school drop out and was a mediocre students. I used to read a lot, but I was a avid reader and would love the dictionary. From Chanda Mama to Reader’s Digest to Robert Ludlum- books were my friends and this has helped me to be the director that I am today.” Madhur has been coming for IFFI from 2005 onwards coming to Goa and he loves to connect with people at the festival.”the screening was loved by people. It was also shot during the end of first lockdown and the beginning on the second lockdown. We used to shoot in parts and within 26 days we shot the entire film. This year has been good for me.”

I love to observe people, I take incidents from my experiences for my films: Madhur Bhandarkar at IFFI
India Lockdown trailer: Audiences to relive the horrors of Covid-19 with this Madhur Bhandarkar film. Watch
The Indian Express | 6 months ago | |
The Indian Express
6 months ago | |

On Thursday, ZEE5 dropped the trailer of Madhur Bhandarkar’s India Lockdown. The film is based on the initial days of the first wave of the Covid-19 pandemic when the government called for a 21-day lockdown across the country. The trailer will send shivers down your spine as it recreates the horrors of the time when it was plain chaotic. Written by Amit Joshi and Aradhana Sah with Madhur Bhandarkar, the film will explore the lives of four characters, and how the unforeseen situation causes turbulence in their lives.The trailer relives the early March 2020 days, as everyone tried to grasp the ‘new normal’. The empty roads, people masked and authorities in PPE kits, the visuals seem like watching your worst dreams come alive. Through the trailer, Bhandarkar touches upon the varied emotions as the four narratives move ahead parallelly. The horrifying visuals of migrant workers, including their young children walking on roads like cattle, continue to haunt us. Also, while many were laid off, we wonder if anyone actually gave a thought about how sex workers survived with their lanes being empty. The film will bring the tales of how lives were changed ‘irreversibly’ for many.Prateik Babbar and Sai Tamhankar play a migrant worker-couple, who are left jobless during the lockdown. With no means of transport, they are forced to walk back to their hometown, facing more troubles on the way. Shweta Basu Prasad plays a sex worker from Kamathipura and wonders how she will earn her next meal while practicing social distancing. While Ahana Kumra plays a pilot, who for the first time experiences downtime, compelling her to introspect, Prakash Belawadi plays a father, who is stuck in a different city, during a crucial high point in his daughter’s life.India Lockdown is set to premiere at IFFI Goa on Monday. Expressing her excitement about the same, Sai Tamhankar, in a statement shared, “I couldn’t have possibly wished for more. For the film to be premiering on such a revered and respected platform is a huge honour. I am so humbled by the very thought itself.”She also spoke about being the ‘Madhur Bhandarkar heroine’. “At first it seemed like I was dreaming. To be a part of Madhur sir’s film is a distinction in itself for any actress. I learned so much from him. Even after all these years, there were still things I was able to only realise while working on India Lockdown. I am eternally grateful for the opportunity,” she shared.Starting December 2, India Lockdown will stream on ZEE5.

India Lockdown trailer: Audiences to relive the horrors of Covid-19 with this Madhur Bhandarkar film. Watch
Madhur Bhandarkar’s India Lockdown set for a world premiere at IFFI 2022
The Indian Express | 6 months ago | |
The Indian Express
6 months ago | |

Streaming platform ZEE5 on Friday announced that India Lockdown will have its world premiere at the upcoming International Film Festival of India (IFFI). The 53rd edition of the festival is scheduled to take place from November 20 to 28 in Panaji, Goa.Directed by Madhur Bhandarkar, India Lockdown is inspired by true events. It will depict four parallel stories and the repercussions of the COVID-19 pandemic on the people of India. The film is set for a direct-to-digital release on ZEE5 on December 2.Bhandarkar, known for critical hits such as Chandni Bar, Traffic Signal, and Fashion, said he is excited for the premiere of his movie at IFFI.The director, who has penned the script with Amit Joshi and Aradhana Sah, is hopeful India Lockdown will strike a chord with the audiences as it captures all the varied emotions experienced by many during the pandemic that hit India in March 2020.“Every citizen across the world will relate to this film as COVID binded us together and made us stronger. We experienced similar emotions, frustrations and uncertainties unlike ever before and India Lockdown will capture all that and more.“This film is my lockdown baby, and I am looking forward to showcasing it at IFFI where cinema lovers across the globe come together for their common passion of storytelling,” the director said in a statement.The movie features Prateik Babbar, Sai Tamhankar, Shweta Basu Prasad, Prakash Belawadi and Aahana Kumra. Manish Kalra, Chief Business Officer, ZEE5 India said they are excited for the premiere of India Lockdown at IFFI.“We are excited to host India Lockdown world premiere at IFFI and get the first reactions of delegates and cinema lovers as this is our honest attempt at showcasing the repercussions of the COVID pandemic on the people of India,” Kalra said.The film is produced by Jayantilal Gada of PEN Studios, Bhandarkar Entertainment and Pranav Jain’s PJ Motions Pictures.In addition to India Lockdown, films such as The Kashmir Files directed by Vivek Agnihotri, SS Rajamouli’s RRR, Marathi film Dharamveer, and Bengali movie Tonic too will be screened at the festival. All four movies are streaming on ZEE5.

Madhur Bhandarkar’s India Lockdown set for a world premiere at IFFI 2022
Goa: National award winner headmistress turned bus into classroom for tribals during Covid
Times of India | 9 months ago | |
Times of India
9 months ago | |

PANAJI: Nine years ago, Maria Murena Miranda was transferred as headmistress to the remote government high school in Morpirla, Quepem, with an enrolment of only tribal students. Her first visitor then was the sarpanch, who wanted to know how long Miranda would wait before seeking a transfer. Today, Miranda has won the National Award for Teachers, as the villagers ask her not to leave until retirement. It is a 20-km journey one-way each day for Miranda from her home in Assolna to Morpirla. The challenges only worsened for her when the pandemic arrived on the scene and a lockdown was imposed in March 2020. “How do I reach the students during the lockdown, when most did not even have mobile phones. I began going to their house to take lessons and also introduced peer to peer learning where senior children would teach younger children. Art integrated learning was another strategy we used,” Miranda said. But, most importantly, when the tribal students could not come to the classroom, Miranda turned the school bus provided by the government into a mobile classroom during the pandemic. “I would take the bus along during the lockdown and I would teach them in the bus,” said Miranda, who has a master’s degree in physics and a bachelor’s degree in education. “The children would come running seeing the bus. Though these children have poor financial background they are very disciplined and determined to learn.” She has also turned her car into a mobile library and when the bus could not make it, she would take the library to the children’s homes. The Government High School, Morpirla, has recorded 100% pass percentage at the Class X state board exams for seven of the nine years under Miranda. The school had one of the highest numbers of 54 students answering the Class X exams during the lockdown due to the pandemic, but Miranda’s effort saw that the school still registered 100% result. “I don’t mind the distance to Morpirla, I drive down even during holidays to teach my students. I was very touched when I saw that the students come with shoes one day and the next day they are without shoes because the dog has damaged a shoe and the family cannot afford to buy another pair. I wanted to do something for them,” Miranda told TOI. Even the bus provided by the state cannot access the difficult terrain and the students have to walk a distance down the hill to get to the bus. “When I first joined it was very challenging. The resources were limited. The children are first generation learners and have no support at home. Their parents are all farmers. My teachers and I would stay back after school to take their lessons because if they went home they would throw their bags away and go into the fields to help their parents or go out to play,” said Miranda. Miranda’s career began as an assistant teacher before being posted as teacher grade-I in physics at government higher secondary schools in Canacona, Panaji and Margao. But the most fulfilling chapter of her career began after her posting to Morpirla. Today, the list of achievements of Government High School, Morpirla, is long. It is the only school from Goa to have a rank (11th) in the ‘Eat Right’ national programme. This year, seven of the ten students who qualified for a scholarship in the SC/ST category in the state talent search exam were students from the Government High School, Morpirla. The high school has been awarded Swachh Vidyalaya Puraskar twice at the district level for clean toilets. The school students are also state champions in kho-kho and kabaddi. “We also have a tie-up with Manovikas English School in Margao, where students from the private school come to our government school to see how rural school functions and we take our students to Manovikas to provide them exposure,” she said. Miranda said her national award is a tribute to her students, the hardworking teachers of her school and the parents ‘who have complete faith in me’. “I never differentiate between the children. The minute a student comes in, all I think of is how I can mould him or her. You can teach any student to be bright. Only some students need more attention than others. There is no such thing as government schools and private schools, even government schools can bring out the best in students. A student can shine anywhere,” said Miranda, who has also guided two special children in the area to complete their Class X.

Goa: National award winner headmistress turned bus into classroom for tribals during Covid
Women entrepreneurs and new-age theme cafés
Navhind Times | 1 year ago | |
Navhind Times
1 year ago | |

PTIWomen entrepreneurs of Kolkata are storming the male bastion of café business and setting up new-age theme-based outlets offering a wide array of choices to customers.Leading the tribe is actor-turned-entrepreneur Swaralipi Chatterjee, who runs the popular café ‘Abar Baithak’ in the Jodhpur Park area of Kolkata. It is the city’s first café themed on Feluda, the immortal detective character of Satyajit Ray.“After our initial startup café in Rabindra Sarobar area failed to click in 2010 due to faulty planning, we set up this café a few years later but I have to now run the show alone as I am divorced with my husband,” says Chatterjee, who was a popular face in Bengali soaps till 2014.Chatterjee says that she and her former husband had started the café for their passion for ‘adda’, good food, and ambience. He was a good cook, which contributed to their decision to start the venture. Also, she was not getting “meaningful roles” on the silver screen.“However, after we got divorced, it became my responsibility to run the household, raise our daughter as a single mother and also keep my venture afloat,” she says.Chatterjee claimed that hers was the first theme-based café in theeastern metropolis.“We had to temporarily shut down the café during the 2020 lockdown, but reopened it after the restrictions were lifted. Slowly, in the last few months, people are thronging the café again,” she said.Chatterjee, who plans to resume her acting career this year, says that a woman has to prove herself at every step and grit and determination are very important for doing that. She has also opened another outlet in Narendrapur area on the southern outskirts of the city.Amrita Annie, the owner of ‘Pancham er Adday’, a popular hangout in Hindustan Park area themed on R D Burman’s works, says that she had always dreamt of a café themed on the music of 1970s and 80s, and materialised it in August 2019.Annie said that she had to sell all her jewellery to restart the café after the lockdown. “I was determined not to let it sink,” she says.Aarunima Dhawan, the owner of ‘Hola’, a popular café in Vivekananda Park area, says that she is passionate about food, and has received full support from her husband in the venture.“It has been a four-year-long journey and we are still learning. We did not have much knowledge about the food and beverages industry when we started,” she says.Rajreeta Sen, co-owner of tea bar ‘Ttoniq’, says that entrepreneurship was traditionally a male domain but things have started to change.“We three women made a foray into the café segment. We set off in October last year after a delay due to the second wave of the pandemic, and there has been a steady rise in the number of customers at our tea bar located opposite the South City shopping mall, as we offer varieties of tea suiting every pocket. We plan to open two more outlets in the suburbs,” she adds.

Women entrepreneurs and new-age theme cafés
MMCs Rs 32L sopo waiver resolution rejected by govt
Times of India | 1 year ago | |
Times of India
1 year ago | |

Margao: A resolution taken by the Margao Municipal Council (MMC) to the effect that the sopo (occupation) fees collected by its contractor amounting to Rs 32 lakh be waived on the grounds that the pandemic led to losses, has been rejected by the department of urban development. Taking cognisance of the complaint filed by Shadow Council for Margao with the department of urban development in the matter, additional director of urban development Clen Madeira wrote to MMC chief officer that the “sopo fees cannot be waived” just like that. “The MMC has to make a detailed examination and take reasonably sound resolution before taking any decision to waive sopo fees,” Madeira said in his letter to the MMC chief officer. The Shadow Council has now demanded that the outstanding arrears of the sopo contractor be recovered immediately. It warned that if the outstanding instalments are not recovered from the contractor within 15 days, it would take further steps, including moving the court. The Shadow Council had demanded that the MMC resolution of March 24 with regards to waiving sopo fees be scrapped. “Even the traders from Margao, who had requested for 50% reduction in the trade/signboard/sanitation fees on account of the total lockdown, were not granted any relief. In such circumstances, how could the sopo contractor be granted such a huge waiver of Rs 32 lakh for the period from April 2021 to August 2021, when the lockdown was partial,” Coutinho said.

MMCs Rs 32L sopo waiver resolution rejected by govt
Tantrums on the rise among kids: Experts
Times of India | 1 year ago | |
Times of India
1 year ago | |

Panaji: The transition to schools after being home-bound and studying online for two years is proving a struggle for children, said teachers and experts who are observing a rise in tantrums and other behavioural changes. The education department and the office of the Goa State Disability Commissioner are working to help teachers understand these challenges and address the behavioural changes in children. “Teachers said that after returning to school, children are finding it difficult to sit in class, something they had no problem doing prior to the lockdown,” vice-president of the Psychiatric Society of Goa, Dr Ravindra Agrawal, said. Teachers said that two years of online classes meant that many students are no longer accustomed to sitting at the desk for an entire class and are used to taking breaks in the comfort of their homes. Sangath, a Porvorim-based mental health institute, has partnered with state government departments for training teachers, special educators and school counsellors in dealing with students who are struggling after the pandemic. Commissioner for Disability, Guru Pawaskar, recently kick-started the first training session at the Sanjay School. Similar sessions will be held for government-aided schools with one such program being held at Hedgewar High School on April 18. Pawaskar has offered to support the roll out of the training to all schools and has recommended that parents also be trained in handling the “unique challenges in caring for children during and after the pandemic” in Goa. Teachers and mental health professionals have noticed behavioural disturbances, inability to adjust to the structured school environment, screen addiction and low-attention span among students. In light of this, the training being imparted by Sangath aims to understand and address the needs of teachers in dealing with these challenges. “Due to the lockdown, many students developed a habit of attending online classes while sitting on the couch, watching television, eating snacks or by sitting on their beds,” a teacher with a Mapusa-based school said. “Their routine has again changed suddenly and they are irritable or easily distracted.” Sangath has put together two teams to train teachers — one for special schools and the other for mainstream government and government-aided schools. “Children are also finding it difficult when parents are attempting to take phones or tabs away from them as there is no need for these devices for online classes. There are tantrums from the children,” Agrawal said.

Tantrums on the rise among kids: Experts
Police plea for action against 3-yr-old traffic violation denied
Times of India | 1 year ago | |
Times of India
1 year ago | |

Panaji: In a case exposing police lethargy, a North Goa court has rejected the application of the police to take further action against two traffic violators nearly three years after they failed to pay the fine for not wearing helmets while riding. A police inspector at the traffic headquarters Panaji told the court that the owners of the vehicles who violated traffic rules in 2018 failed to pay the fine within 15 days after they were issued a notice. The court held that the inordinate delay of more than 1,000 days in completing the process from issuing notice to the violator “comes to the benefit of the accused as these are compoundable cases hit by Section 468 of Criminal Procedure Code”. The police inspector submitted to the court that there were reports of traffic violations in large numbers within a short period of time by way of photos and videos from general public under the Traffic Sentinel Scheme launched by Goa Traffic Police where willing citizens could send in traffic violations. He added that the process of verifying violations, issuing notices, serving the notices manually and thereafter sorting out the same took time as they were in very large number, and added that during the lockdown it was not possible to serve notices. But the court held that these grounds don’t appear to be satisfactory as the offences occurred in 2018 “which is much prior to the Covid-19 pandemic lockdown. It was understandable if there was such an inordinate delay in the case of some serious offence whereby thorough investigation was required. But even in serious offences the investigation is not at all delayed for such a long period. Therefore the reason which has been mentioned by the police inspector is not at all satisfactory to condone such an inordinate delay to file such a case in petty offence,” the court stated. The police inspector submitted to the court that under the Traffic Sentinel Scheme, after citizens reported traffic violations, the violation received was then approved by the Traffic Sentinel team after analysis and a notice under Section 133 of Motor Vehicle Act, 1988, was then issued to the owner of the violating vehicle through local police station, with directions to make the payment of fine within 15 days.

Police plea for action against 3-yr-old traffic violation denied
All set for Easter
Navhind Times | 1 year ago | |
Navhind Times
1 year ago | |

From candles to cookies, local makers and bakers are gearing up for the Easter festivitieswith an egg-citing lineup of goodies and moreNT BUZZThe countdown to Easter is on. If you’re looking to have an egg-stra special Easter this year, look no further. NT BUZZ highlights a few makers and bakers in Goa who are dishing out egg-celent creations this Easter season.Samantha Pereira @cake_a_licious_stinezFor chocolate aficionados, Samantha Pereira, a self-taught baker who runs the home-based cakery Cake~a~licious in Panaji, is serving up a selection of chocolate Easter eggs this season.“We have Easter eggs to suit every person’s budget, from regular chocolate eggs to luxury hampers which include Belgian chocolate eggs and slabs and bunnies,” says Pereira, who is a geologist by profession. In fact, Pereira has introduced the Belgian collection this year. “I observed that many people wanted the authentic pure chocolate flavour to gift their special someone. Hence, I came up with the luxury edition,” she says.For those who want to keep it more traditional, the cakery also has handcrafted pure cashew marzipanmini eggsCake~a~licious started out as a hobby in 2015 as Pereira experimented with different recipes. “The first product that I vividly remember making was chocolate-mint cookies which I distributed to family, friends and neighbours. The feedback received was extremely encouraging and pushed me to experiment further,”she says.Rodwin Rodrigues@chef_rodwinBakery and pastry chef Rodwin Rodrigues started his own business ‘Chef Rodwin Food Enterprise’ with an aim to provide wholesome bakery products like multigrain bread, multigrain cookies, and multigrain muffins which he says are “one of his best” items. Recently, he conducted a chocolate and marzipanEaster egg preparation workshop at the Agnel Institute of Food Craft and Culinary Sciences, Nuvem for women and for students at VM Salgaocar Institute of International Hospitality Education. “This Easter, I have decided to share my knowledge of preparing Easter eggs with a variety of people,”he says.Emera Fernandes@homecraftedsoapsSince 2018 from her home in Saligao, Emera Fernandes has been creating a range of all-natural, chemical-free soaps, bath products, and candles.“These include a variety of soaps, body scrubs, bath salts, bath bombs, natural lip balms, solid perfume, soy wax and beeswax candle jars, wax melts, tea lights, wax scent sachets, bath hampers, birthday takeaways, and customised gift hampers,” says Fernandes, adding that the Made-In-Saligao market that’s held every Tuesday at the Saligao Institute, helped her establish herself as a small business owner.This Easter, she is offering Easter hampers in eco-friendly packaging. Each hamper will contain easter egg soaps, Easter candles, bath bombs, carrot-shaped soaps, bunny-shaped soaps, crotchet bunnies, and more.Tiffany DLima Menezes@cookiecrumbtrailThe Cookie Crumb Trail, Altinho, Panaji by Tiffany DLima Menezes offers chocolate and vanilla flavoured cookies in customised shapes and designs. Having begun her venture with an Instagram page, she started taking orders in September 2021 and has received an overwhelming response from clients so far. “The cookies accentuate the theme of any event, so they are appreciated by kids and adults alike,” says Menezes, who makes custom-themed cookies for events on order. Every cookie is customised and hand-decorated to suit the theme or colour palette of the client.This Easter, she has planned an Easter cookie basket, that is, a basketful of Easter-themed hand-decorated cookies and a bunny bag of minis, that is, mini Easter cookies (bunnies, chicks, and Easter eggs) packed together in an adorable bunny bag.Line Shetty@mommademoments_Panaji-based mom of three, Line Shetty has an egg-citing lineup of Easter-themed goodies as well.Her venture, MomMadeMoments started as a blog (www.mommademoments.com) with easy baking recipes using local ingredients, creativity for kids, and inspiration for parties. “I needed something creative that I could do from home while looking after my daughters and managing their schools during the lockdown.” Shetty always loved planning themed birthday parties for her own kids and hoped to inspire others. Soon, friends began asking if she could bake for them, and during the lockdown, she decided to accept her first orders.Today, she makes custom cakes for birthdays, anniversaries, and special occasions. She also offers themed party snacks and edible return presents such as cakesicles, cupcakes, macarons and marbled cookies. “I hope to keep learning new cake techniques and flavours while honing my skills. I want to continue to inspire others through my blog,” she says and adds that the response has been amazing so far. “I have a lot of repeat customers who seem to like what I do and I am so grateful for that. They also recommend me to others. I put great importance on the taste as well as the design. A pretty cake is nothing if it doesn’t taste good.”For Easter, she is dishing out assorted mini eggs filled with caramel, rum-chocolate, and marzipan. She is also making piñata easter eggs filled with sweets for kids and small Easter bento cakes in her signature rich chocolate flavour.Eureka Araujo, Nikita Araujo, and Suzann Homan@si_va_koBound by Goan roots, chef Eureka Araujo, Nikita Araujo, and Suzann Homan started Sivako to dish out elegant yet flavoursome pastries, viennoiseries, and chocolates.Having started their enterprise on International Women’s Day in Mumbai, Sivako is in Goa this Easter season to celebrate the joy of new life.Sivako which means ‘rise to the challenge’ has a signature Easter collection that includes an Easter egg hamper that comprises a set of three eggs (pink, yellow, and blue) packed into a fully edible chocolate basket. The pink egg has flavours of coffee ganache, Baileys Irish ganache, and hazelnut and almond crunch; the yellow egg is made of biscoff ganache, biscoff crunch and s’mores marshmallow; while the blue egg has flavours of maple caramel, peanut nougat, and caramel ganache. The edible chocolate basket is made of almond rochers and caramelised white chocolate.Their other Easter offering is the caramelised nutty tart which is a homely tart that can be served warm by itself or even with a dollop of vanilla ice cream.“We started Sivako to bring a craft of our own story. We are committed to making every batch from scratch and ensuring every bite is just right.’ Simple yet elegant’ is what we focus on and we try to showcase the same in our products as well,” says Eureka, who is an award-winning chef with over 10 years of professional pastry experience.Fr Macson DabreAs director of the students at the seminary at Peddem, Mapusa, Fr Macson Dabre of the Discalced Carmelite Order is always working towards generating finances for his students studying in class 11 and class 12 who lack financial backing. Reluctant to ask for donations, Fr Dabre thought of a novel idea last year to generate income: making candles. “I learned to make candles on my own and bought the mould to make Easter candles that are used in churches,” he says. He contacted a few parishes nearby and the community to support this endeavour. “Through this, I could recover the cost of the mould and could contribute to the students’ fees,” he tells us. This year too, on a very small scale he has managed to make and sell ten Easter candles. “I am trying to ignite light into darkness, and Jesus is the light,” he says.Floyd FernandesThis home baker from Pilerne has been taking orders for Hot Cross Buns that will be consumed tomorrow on Maundy Thursday.Working on the cruise liner in the pastry department, Floyd returned home last year during the lockdown just before Lent. He thought of putting his skills to use and baked buns for the first time at home. Those who tasted it encouraged him to take orders this year.Today, he’s happy with the response he’s getting from villages and through friends who have been sharing flyers of his offerings far and wide. His baked goodies and desserts – especially his signature cake, the ‘Classic French Opera’ – showcase his passion and he has garnered a lot of patrons through the same. “The secret of happiness lies not in doing what you like, but in liking what you do,” he says.Amanda Crasto@_theislandbakehouse_Baking has always been Divar-based Amanda Crasto’s passion and eventually turned into a business ‘The Island Bakehouse’. “I strongly believe my profession chose me, more than me choosing my profession. I started this journey on December 15, 2020 and the response has been overwhelming. I aim to grow in this field without compromising on the quality,” she says and adds that her secret ingredient is ‘love’. “I always put in all the love that I have within me in my baking – thereby calling it ‘made with love’.”The Island Bakehouseoffers a wide range of products, such as, brownies, cupcakes, cookies, cakes, mousse, donuts, etc. Her Easter menu includes the chocolate eggs-stravaganza, that is, a chocolate Easter egg filled with chocolate ganache, brownie bits, and chocolate chunks; the caramel crunch, an egg with a chocolate shell filled with salted caramel sauce, nuts, and butterscotch; the cococraze, that is, a coconut cream-filled Easter egg with shredded coconut, and lots more.Mackin Xavier@mac_cakes_goaIf one is looking for cakes in Navelim, ‘Mac Cakes’ is the place to be. Mackin Xavier has been baking for the past 11 years. Her sweets have been appreciated by both young and old. This Easter, she will be making Easter eggs, cupcakes, and cakes for people around. “I specialise in honey cakes, chocolate cakes, and mousse cakes,” says Xavier.She firmly believes that baking is something that gives her the freedom to be herself. After almost two years of the pandemic, this Easter is really going to be special for Xavier and she looks forward to baking a lot more.Danice AlmeidaHaving started as a home baker in Mumbai and Pune, Danice Almeida has more than 20 years of experience in the bakery business. She started a professional bakery ‘Dielle’s Cakes and Chocolates’ here in Goa in December 2019 with her first outlet in Tivim in May 2020 and within six months her second outlet in Mapusa in November 2020. “I started just before the lockdown. It has been slow but the journey has been great. Today, we have a great clientele who trust us blindly for us to innovate for them,” she says.They offer a wide selection of customised cakes, pastry, desserts, bread, chocolates, handcrafted chocolate, liquor chocolate, and more.This Easter, she is offering a wide range of flavoured chocolate Easter eggs (full chocolate and hollow chocolate), almond sugar-coated mini eggs, marzipan eggs, hampers, cupcakes, Easter-themed cakes,and more.

All set for Easter
The school bell is ringing early
Navhind Times | 1 year ago | |
Navhind Times
1 year ago | |

As the government eases the age limit for nursery school admission by six months in the state, a few parents react to this decisionLast year, the age of admissions for the nursery school level was changed to three years. A year later the Directorate of Education Department has now relaxed the age limit by six months as of May 31.I think like everything else this too has its good and bad points but as a mom of a four-year-old myself I was happy to see the ease of the age limit. Starting school early would mean my child gets to interact with other kids his age earlier than before. This would help build his social interaction from a young age. Also spending time in school would mean less screen time at home. As seen nowadays kids don’t play outdoors anymore, they prefer being on their iPads/television/mobiles when at home.” Ninoshka Lobo, ChoraoEasing the age limit to 2.5 years is certainly a good idea. I believe the intelligence quotient (IQ) of today’s kids is way higher as compared to earlier. For example my own daughter was able to recognise body parts, recite rhymes, associate alphabets with objects, and write, at the age of two so having her admitted at 2.5 years at school will only enhance her skill and social abilities. But as in every decision there are cons. It is considered that till the age of three a child should enjoy playing. If admitted in school early and if the school has a rota system of learning, then the child may find it difficult to cope up. There may be a lot more pressure on them at a small age. Sometime at 2.5 years the child may not be able to express their needs. In all, I believe schools are second home to children and if they learn at the right age they will have the right exposure and fun.” Deepa Prabhu, Old GoaAfter a long period of lockdown where the children were confined to their homes, early admission for children in school will definitely come as a boon. Children will get an early opportunity for interaction in an external safe environment of the nursery school. They will get to meetnew friends of their age. The school environment will help inculcate a set time table for them and help mould their personality. Children will get a little independent and learn activities of daily living. The relaxation of early age will also enable the nursery schools to pick up on the loss incurred to them in the past two yearsof lockdown.” Joslyn Dias Sapeco, Margao

The school bell is ringing early